Fire, air, earth, water. The ancients chose with care. To say the same thing in modern terms requires more words, and none stick in the memory. Active principle, receptive principle, mediating principle, material principle -- why bother with such abstractions when fire, earth, air and water say the same and say it better. In Egypt, the intimate connection between Four and the material or substantial world was applied in symbolism. We find the four orientations, the four regions of the sky, the four pillars of the sky (material support for the realm of the spirit), the four sons of Horus, the four organs, the four canopic jars into which the four organs were placed after death, the four children of Geb, the earth. [. . .] This is the cross of matter, upon which all of us are pinned. Upon the cross, the Christ, the cosmic man, is crucified. By reconciling its polarities through his own consciousness, he attains unity. It is this same principle of double inversion and reconciliation that lies behind all religious Egyptian art and architecture. The crossed arms of the mummified pharaoh -- who (whatever his personal traits may have been) represents successive stages of cosmic man -- holds the crossed scepter and flail of his authority. Schematically, the point where the two arms of the Christian cross intersect represents the act of reconciliation, the mystical point of creation, the 'seed.' Upon a similar scheme, the exalted, mummified pharaoh represents the same abstract point. The cross and the mummified pharaoh thus symbolize both Four and Five. 50-51.